![]() Exhaust your network.ĭo that first, and if nothing materializes on that front, head for the internet. Ask about jobs, connections, 2nd-degree connections, informational interviews, anything. Reach out to everyone and anyone you know. Now, it’s time for the hard part - finding script coverage work. Great, you know about scripts, you’ve covered a few, and you’re confident in your abilities. Script Reader Networking Step 5: Start networking Try to approach each one with a fresh mind. No matter how you feel about the scripts you read, it’s more practice, and it prepares you for the type of scripts you’d actually receive on the job. Be warned, a lot of them are bad… a lot of them. This step is not hard, and it will provide your first exposure to the vast universe of spec scripts. ![]() Check out peer-to-peer review sites like Coverfly X, ScriptMother, or SimplyScripts.Now, this also means that writing a spec script is something every aspiring screenwriter has done, and they all want feedback. ![]() In other words, it was written speculatively by a writer hoping someone, somewhere would be interested in it.Įssentially, every script you’ll get as a reader is a spec script. What Script Reader’s Read Step 4: Read spec scriptsĪ spec script refers to any script that has not been commissioned by a producer or studio. Just make sure you don’t pass on The Dark Knightif you’re submitting coverage to a studio that specializes in action films. It’s also more fun, you can pick a movie you actually like. This way whoever's reading it can judge if you know how to read a script. With sample coverage, I recommend using a well-known, produced film. Whether its based on the Save the Cat beat sheet, Joseph Campbell's The Hero's Journey, or Dan Harmon's Story Circle, formula matters. This is tremendously valuable for anyone who wants a career in Hollywood.Įven though there is a massive spectrum of the types of movie genres, almost every script follows a formula. To learn how to read a script, start with the basics - screenplay format, the cliches to avoid, and (depending on your role) see how executives react to story ideas. To put it bluntly, you need to know how to read a script and what makes a good one. Which means you should understand narrative, pacing, character archetypes, themes, etc. First things first, you need to understand how scripts work. Okay, you’re still with us, and you definitely want to be a reader. ![]() Script Reader Knowledge Step 2: Know the screenwriting rules It is a job that exposes you to the industry and provides insight to the business side of TV and film development. Sure, it's hard work for little pay but remember to stay positive. It's important to know going in that script reader jobs should be considered a means to an end. ![]()
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